Assets
Alessandro Balteo Yazbeck
 | | | Architect Carlos Ral Villanueva in collaboration with Taller de Arquitectura del Banco Obrero. Cerro
2006-2008, color digital reproduction on photographic paper,
46-1/8 x 46-1/8 x 2-1/2 inches (framed), 117.2 x 117.2 x 6.4 cm,
edition of 5ABY027 |
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 | | | Model of Alexander Calder’s Cône d’ébène, 1933 + Saddam Cloud [Modern Entanglements, U.S. Interventions] (in collaboration with Media Farzin)
vinyl text, ebonized wood, wire, metal bar, nylon and vinyl fabric, carbon fiber, lead, cotton thread, wall label with gallery text and narrative,
Saddam Cloud: 106 inches diameter x 5 inches deep, installation measurements: 140 x 132 inches, 356 x 335 cm,
edition of 5,ABY031 |
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 | | | R.S.V.P., 1939 [Cultural Diplomacy: An Art We Neglect] (in collaboration with Media Farzin)
c-print digital reproduction (19 x 16-7/8 inches), vinyl text, wall label with gallery text and narrative,
dimensions variable,
edition of 5,ABY032 |
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Mobile for the Hotel Ávila, 1939-1942 [Modern Entanglements, U.S. Interventions] (in collaboration with Media Farzin),
c-print digital reproduction (44-3/4 x 59-3/4 inches); real-size construction plan of Calder’s mobile for the ballroom of the hotel, wall label with gallery text, dimensions variable, edition of 5,ABY033 |
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The Larger Picture, 1939-1942 [Modern Entanglements, U.S. Interventions] (in collaboration with Media Farzin),
c-print digital reproduction (35 x 60 inches), wall label with gallery text and narrative, dimensions variable, edition of 5,ABY034 |
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Didactic Panel and Model of Alexander Calder’s Vertical Constellation with Bomb, 1943 [Cultural Diplomacy: An Art We Neglect] (in collaboration with Media Farzin),
c-print digital reproduction (59-3/4 x 44-3/4 inches), real-size model of original Calder sculpture (Carbon fiber, Plexiglas, acrylic paint, ABS plastic/Fused Deposition Modelling), 2 wall labels, dimensions of Calder original sculpture: 30-1/2 x 29-3/4 x 24 inches, dimensions variable, edition of 5,ABY035 |
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Standard Creole with Bikini, 1940s [Modern Entanglements, U.S. interventions] (in collaboration with Media Farzin),
c-print digital reproduction (34-7/8 x 59-7/8 inches), wall label with gallery text and narrative, dimensions variable, edition of 5,ABY036 |
 | | | Architect Carlos Raúl Villanueva in Collaboration with Alexander Calder, Aula Magna auditorium, Ciudad Universitaria de Caracas, 1954 (Rose) (in collaboration with Media Farzin)
c-print digital reproduction from a faded 1954 Kodachrome by Paolo Gasparini (70-1/4 x 70-1/4 inches), wall label with gallery text and narrative,
dimensions variable,
edition of 5,ABY039 |
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Entanglement (January 3, 1954) [Cultural Diplomacy: An Art We Neglect] (in collaboration with Media Farzin),
diptych, c-print digital reproductions (each 29-7/8 x 29-7/8 inches), wall label with gallery text and narrative, dimensions variable, edition of 5,ABY040 |
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Detail of Alexander Calder’s performing mobile Orange Fish (1946) at the Tehran Museum of Contemporary Art, 2008 [Cultural Diplomacy: An Art We Neglect] (in collaboration with Media Farzin),
c-print reproduction from digital file by Ehsan Behmanesh (39-3/4 x 59-3/4 inches), vinyl text, wall label with gallery text and narrative, dimensions variable, edition of 5,ABY042 |
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Model of Alexander Calder’s Tower with Mobile, 1943 [Cultural Diplomacy: An Art We Neglect] (in collaboration with Media Farzin),
brass rods, patina, India ink, polyester thread, plexiglas, wire, wall label with gallery text, 27-1/2 x 13-3/4 x 20 inches, 70 x 35 x 51 cm, edition of 5,ABY043 |
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Untitled, 1960. Professor Miguel Arroyo teaching Harry Abend at the School of Architecture and Urban,
2005-2008, digital photo collage on photographic paper from v, 45-7/8 x 60-7/8 x 2-1/2 inches (framed),
116.5 x 154.6 x 6.4 cm, edition of 5ABY028 |
 | | | Architects Carlos Ral Villanueva and Leopoldo Martnez Olavarria(.)Urbanization Lomas de Urdaneta (la
2006-2008, color digital reproduction on photographic paper from a B/W unstable negative by Paolo Gasparini, wall label with gallery text,
46-1/8 x 46-1/8 x 2-1/2 inches (framed), 117.2 x 117.2 x 6.4 cm,
edition of 5ABY029 |
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 | | | Last oil barrel
sustainable wood, paper, India ink, wall label with gallery text, financial markets,
1-3/8 x 1 x 1 inches, 3.5 x 2.5 x 2.5 cm,
ABY030 |
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